Load Garritan Instruments in Logic



Would you like to load Garritan instruments in Logic X? Or perhaps you’d like to load Garritan in Logic 9. This article contains short, silent videos (best viewed in full-screen mode) to show you the steps for both. Written instructions are also available in our Knowledge base.

Load Garritan Instruments in Logic X

Load Garritan Instruments in Logic 9

 

Changing from a Logic instrument to a Garritan instrument

If you have a Logic instrument loaded already, and you’d like to change it to a Garritan instrument, the steps are the same, but you may have to click and hold in order to get the menu to appear.

Garritan Weekend Challenge – April Fools


Joseph Haydn

Portrait of Joseph Haydn by Thomas Hardy, 1792

What better way to celebrate April Fools day than with a Garritan Weekend Challenge celebrating Joseph Haydn and PDQ Bach?

If you’re not a music history buff, you may be scratching your head at the connection. Haydn is famed for his sense of humor. His compositions contain many little musical jokes within their measures. Haydn’s Surprise Symphony might be the most famous of all, appropriately nicknamed for it’s fortissimo chord at the end of an otherwise calm piano introduction in the second movement. Learn more about Haydn’s Surprise Symphony if you’re not familiar it. You’ll stumble upon more hilarious stories about Haydn’s musical pranks the more you study him.

Photographer Peter Schaaf. http://www.peterschaaf.com/

Photographer Peter Schaaf. http://www.peterschaaf.com/

Perhaps you’re more of a P.D.Q. Bach fan. P.D.Q Bach is the 21st of J.S. Bach’s 20 children. His music parodies period music primarily in the classical genre. If you’ve taken a few music history or composition classes and wondered why you’re required to adhere to so many seemingly ridiculous rules of counterpoint and instrumentation, you’ll no doubt find P.D.Q Bach’s music hysterical.

This weekend, let’s honor musical pranksters by writing a tune in any style, that includes a hidden joke for us to find. From an outrageous trombone slide in a renaissance period piece, to a tritone in a Baroque composition, to an oboe solo in a marching band piece, give us your best april fools composition.

The Results Are In!

But it’s not too late to participate. Just leave your SoundCloud link in the comments section below and we’ll ad your composition to this playlist.

[soundcloud url=”https://api.soundcloud.com/playlists/28760739″ params=”color=ff5500&auto_play=false&hide_related=false&show_artwork=true” width=”100%” height=”450″ iframe=”true” /]

You may remember how our challenges work if you are a regular to the Garritan Weekend Challenge. If you’re new to the Garritan Weekend Challenge, welcome! This is simply a chance for you to practice composing and using Garritan sounds so when your next big composing gig hits, you’re well rehearsed. You can share your music in the comments section below or publish your tune on SoundCloud. It is a great opportunity to have other composers review your work. Most of all, it’s fun. 

Garritan Weekend Challenge – Celtic Music



Garritan Celtic Music

Welcome to another Garritan Weekend Challenge!

St. Patricks day is just around the corner, and we’re challenging you to try your hand at composing celtic music. If you’ve been curious about the Garritan World Instruments library, there is certainly room for it in this challenge. The Garritan World Instruments library includes several irish flutes, including penny whistles, a celtic harp. Irish Traditional Troupe and Celtic Consort are two ensemble presents that may prove useful for this challenge as well. View the complete list of instruments and presets in the Garritan World Instruments library.

So share some original celtic music with us this weekend. As always, we’ll promote your SoundCloud link on our social media channels throughout the week. Happy composing!

The submissions are in! Listen to them all:

[soundcloud url=”https://api.soundcloud.com/playlists/27164749″ params=”color=ff5500&auto_play=false&hide_related=false&show_artwork=true” width=”100%” height=”450″ iframe=”true” /]

You may remember how our challenges work if you are a regular to the Garritan Weekend Challenge. If you’re new to the Garritan Weekend Challenge, welcome! This is simply a chance for you to practice composing and using Garritan sounds so when your next big composing gig hits, you’re well rehearsed. You can share your music in the comments section below or publish your tune on SoundCloud. It is a great opportunity to have other composers review your work. Most of all, it’s fun. 

Create a Variety of Moods with Instant Orchestra



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I thought I had a great idea for a Garritan ad: “Instant Orchestra includes more moods than a bus full of teenagers.”

While not everyone found this appropriate, it’s true. By simply selecting from a wide variety of presets identified by mood, you can begin creating powerful music — across a broad spectrum of emotions — quickly and easily.

In this month’s installment of “Get to Know IO,” MakeMusic’s own Isaac Sobczak demonstrates Instant Orchestra’s mood-shifting power by scoring a single film cue two contrasting ways:

Feel free to use this blog to your advantage: Ask IO and/or orchestration questions, exchange film scoring tips, share links to your work, and join in the discussion.

Don’t own IO? You can download it today for only $179.95

buy now Learn More

Using Garritan in the Classroom – Marshall Shaw


Garritan in the Classroom 5th grade students study composition using Garritan, GarageBand, and Finale. Photo courtesy of Marshall Shaw.

March is Music in our Schools Month, and we’re delighted to welcome educator Marshall Shaw to the Garritan blog. Today Marshall tells us how he uses Garritan libraries in partnership with programs like GarageBand, Logic, and Finale, to enhance his lesson plans for music students.

I want my students to engage with music in a way that is relevant, powerful and meaningful. Apps and computer technology allow students to interact with the various elements of music in such a rewarding and profound way. With the help of technology like Garritan in the classroom, abstract concepts now become visible and tangible.

Creating music has been one of the strongest motivators for student involvement and achievement, especially when driven with technology. Authentic instrument samples and mobile recording ability allow students to achieve impressive results with a basic level of experience with music notation and digital audio workstation software. Finale and Logic Pro can both use Garritan libraries to produce music in any style that is artistically rich and satisfying.

As an educator, I see the value of using Garritan libraries to enhance my teaching. I also see the impact these sounds have on my students’ musical endeavors.

Here are 10 ways I use Garritan libraries in my music programs:

  1. Students use a variety of Garritan instruments to set up a round in 2, 3 or 4 parts.
  2. Students produce duets or trios for contrasting instruments, and/or clefs, and use Garritan instruments to listen to their compositions.
  3. I use Garritan to introduce students to the families of the orchestra by composing similar pieces as above. For example, a string duet, violin and cello, or trumpet, horn and tuba trio – Garritan gives the user the freedom to experiment with combinations of instruments.
  4. I use Garritan to demonstrate the sound of a variety of instrument articulations and techniques like trills, tremolos, pizzicato, and string harmonics. From this, students and I modify simple melodies with articulations and listen to the contrasting final products. For example, we’ll apply legato first, then staccato, and discuss how the same melody has changed in character.
  5. I teach my students simple composition techniques to create soundscapes for effect. For example, we blend instruments, use instrument overlays, clusters, rips, glissandi, and attacks. We use Garritan samples to listen to the soundscape we’ve created compositionally. We also use a variety of Instant Orchestra combinations and blending textures to explore orchestration and tone color, especially when writing with video in Finale.
  6. I use Garritan World Instruments to explore the sounds of world instruments with my students. For example, we practice writing in a variety of scales and modes typical of regions of the world, like pentatonic, music using the Chinese Bawu and percussion.
  7. My students practice writing in the theme and variation form. They represent each variation with a different instrument.
  8. Garritan assists my students in learning about instrument range, how the timbre changes in the extreme registers of each instrument, and how composers use these extreme registers for evocative effects.
  9. I’ve found that using free midi files of popular pieces and classical repertoire to study orchestration, harmony, and historical performance practices, can be very motivating for my students. Using an existing midi file as a base saves time in note entry so we can move onto blending instruments and listening to our final results faster. Midi files can be altered with any sound library patch for re-orchestrating and arranging lessons. Students can even play the solo part of a concerto or solo piece midi file, or listen to authentic performances from their computer. They can adjust tempo for practicing, modify the instrument, or change it.
  10. My students love to use sound libraries like Garritan to create their own ringtones for their mobile phone. 


Thanks to all the Garritan Blog subscribers for letting me share the joy Garritan Libraries have brought to my musical and educational life. I’d love to share more ideas and lesson plans for using technology in the classroom. Leave me a comment below. 

Marshall currently resides in Hong Kong. He has 27 years of classroom teaching experience, and is the founder and owner of Expressivo, a consulting firm for technology, education, and music.

Visit Marshall Shaw’s Blog and stay up to date with his musical endeavors.

Listen to original music by Marshall Shaw here, and visit his SoundCloud page to hear more!

[soundcloud url=”https://api.soundcloud.com/tracks/109374542″ params=”color=ff6600&auto_play=false&show_artwork=true” width=”100%” height=”166″ iframe=”true” /]

Z-Fest Film Festival Trailer Contest



The Z-Fest Film Festival is an annual event in Minnesota where dozens of teams write, shoot, produce, and show short films. The films are around seven minutes long and cover a wide range of subject matter. There is always something for everyone.

Every team submits a film and a 30 second trailer. Before the first screening, there is a trailer contest. The team to receive the highest “thumbs up” count on YouTube is declared the winner.

This year, Garritan’s own Isaac Sobczak had the privilege of providing music for one of the teams. You may remember Isaac from his “Quickly Create Film Scores” video. It’s probably no surprise that Isaac used mostly Garritan sounds for his Z-Fest Film Festival project.

Take a look at the trailer Isaac scored for the Z-Fest Film Festival

Can you tell what instruments were used?

Feel free to leave a comment and let us know how you think the Garritan instruments preformed.

More Film Scoring Tips with Instant Orchestra



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In this month’s installment of “Get to Know IO,” Garritan Product Manager Fred Flowerday shares some more Instant Orchestra tips, again with the emphasis on quickly scoring to video:

“As musicians we can often imagine melody and harmony fleshed out for full orchestra, but this can sometimes  be a challenge for our clients. With Instant Orchestra you can quickly transform an idea into a full-sounding orchestration, perfect not only for spec’ing to prospective clients, but also for a finished product.”

See and hear Fred as he demonstrates, in real-time, how quickly Instant Orchestra can produce powerful cinematic music in this month’s short video:


Feel free to use this blog to your advantage: Ask IO and/or orchestration questions, exchange film scoring tips, share links to your work, and join in the discussion.

Don’t own IO? You can download it today for only $179.95

buy now Learn More

Garritan Weekend Challenge – Valentines Day



Valentines Day

It’s time for another Garritan Weekend Challenge!

In the spirit of Valentines day, we’d like you to compose the perfect valentines day music. Your version of romantic music could be light and funny, or serious with lush strings, or perhaps the classic sultry bass and drums groove fits your valentines day.

I invite you to be my valentine and share some romantic music with us this weekend. As always, we’ll promote your soundcloud link on our social media channels throughout the week. Happy composing!

You may remember how our challenges work if you are a regular to the Garritan Weekend Challenge. If you’re new to the Garritan Weekend Challenge, welcome! This is simply a chance for you to practice composing and using Garritan sounds so when your next big composing gig hits, you’re well rehearsed. You can share your music in the comments section below or publish your tune on SoundCloud. It is a great opportunity to have other composers review your work. Most of all, it’s fun. 

MakeMusic Receives 2014 TI:ME Award



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The TI:ME award, co-sponsored by the producers of the TEC Awards, recognizes companies that have made exceptional contributions to the evolution of music technology use in the modern music classroom. Companies were nominated by members of TI:ME and from the submissions MakeMusic was selected as the recipient by the TI:ME Board of Directors. MakeMusic is honored to be the second recipient of this annual award from a respected organization such as TI:ME.

If you are unfamiliar with all of MakeMusic’s products, take a look at this graphic below. You will see a product line that offers many ways for educators to enrich their students musical lives (click to enlarge).

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Mike Lawson, Executive Director of TI:ME, explains:

“MakeMusic, Inc. was selected from a list of other prestigious companies that were nominated, but ultimately this second annual offering went to MakeMusic because of it’s unique and comprehensive contributions to the evolution of music education, with products such as Finale and its varying versions, SmartMusic and other groundbreaking programs. So many music educators, bringing the process of music education into the modern era of technology, have adopted MakeMusic programs.” 

Karen VanDerBosch, MakeMusic CEO, commented:

“Delivering technology that supports music education is central to what we do at MakeMusic. To receive this award is a great honor and a wonderful reminder that our solutions are highly valued by our customers. We are committed to developing technology that assists music educators and their students to take on tomorrow.”

Mike and Karen at NAMMMike Lawson and Karen VanDerBosch at NAMM

Learn more about the entire family of MakeMusic products at makemusic.com.

Get to Know IO: Film Scores Fast with Garritan Instant Orchestra



GT_14001_GetToKnowIO_JanBlogHeader_FNLWelcome to the first installment of “Get to Know IO,” a series of blog posts and videos aimed at getting the most out of the incredibly powerful toolset known as Instant Orchestra. Our goal for the series is to share techniques that will help maximize your creativity with IO.

Have you ever had a great theme but ended up scaling back the vision because time and resources were tight? This week’s video was created for you. We focus on tips to quickly create a fully orchestrated, cinematic sound on the fly. Watch as we score to a short piece of film in real time and show how it’s possible to get some truly epic results quickly using IO.


 

Please let us know what you think by clicking on “Comments” below. In addition to your feedback, feel free to share links to your work, or ask questions about creating specific textures. We hope you regard this as a great opportunity to interact with fellow musicians who are interested in sharing orchestration ideas.

Don’t own IO? You can download it today for only $179.95

buy now Learn More

Read the second article in this Get To Know IO blog series: More Film Scoring Tips with Instant Orchestra.

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