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Introducing the Garritan Abbey Road Studios CFX Lite

November 9, 2016 | Garritan Official

The CFX Concert Grand In 2014 we released the most detailed and advanced Garritan project ever: the CFX Concert Grand. It began with Yamaha’s remarkable nine foot concert piano, the development of which took more than 18 years. We placed this no-holds-barred instrument in the most legendary recording space in the world: Studio One at [more... ]

Additional Strings in Garritan Personal Orchestra 5

October 25, 2016 | Peter Flom

As a string player I am most excited about the new strings in Garritan Personal Orchestra 5 (GPO 5). With multiple bowing samples for each instrument, a fluid live-friendly playback engine, and the choice between individual, chamber and section string sounds, GPO 5 has a lot to offer those of us who focus on strings. [more... ]

Choir Tips in Garritan Personal Orchestra 5

September 9, 2016 | Nick Morris

I’m really excited about the new choir sounds in Garritan Personal Orchestra 5 (GPO 5). In the past I’d typically write choral music on the piano (because I didn’t have access to a lot of vocal samples), so these additions are really welcome. GPO 5 breaks the choir down into Soprano, Alto, Tenor, and Bass, [more... ]

Meet Garritan Director of Programming Chad Beckwith

May 6, 2016 | Garritan Official

Where do Garritan sound libraries come from? Does Gary Garritan create them all by himself in a secret laboratory hidden somewhere in the Pacific Northwest? Is the Yeti involved? No one has ever known – until now. Starting today we’re going public and introducing the people behind the virtual instruments, starting with Chad Beckwith (pictured [more... ]

Todd Urban Reviews Garritan Personal Orchestra 5

March 8, 2016 | Garritan Official

Good news travels fast! Just last week we released Garritan Personal Orchestra 5 (GPO 5), and already this week Todd Urban, of Urban Sound Studio, has released a YouTube video review of GPO 5. Todd’s review offers a great glimpse inside of GPO 5, relevant both for those new to GPO as well as those [more... ]

Introducing Personal Orchestra 5

February 29, 2016 | Garritan Official

Today we launched Personal Orchestra 5, a major update to the acclaimed sound library. Garritan Personal Orchestra (GPO) democratized the creation of orchestral music by making a comprehensive collection of virtual orchestral instruments both accessible and affordable. GPO 5 continues in this tradition by vastly expanding the number of included instruments (it’s 5 times bigger) [more... ]

Garritan Personal Orchestra 5 Coming Soon

February 2, 2016 | Garritan Official

At the 2016 NAMM show, we announced that Garritan Personal Orchestra 5 (GPO 5) would be coming soon, and simultaneously placed a “Coming in February 2016” message at garritan.com. We’ve been delighted with the volume of interest (and questions) this advance information has produced. While we will release GPO 5 before the end of February, we [more... ]

Using Your Tablet to Control the ARIA Player

November 16, 2015 | Michelle Jones and Nick Morris

Do you use Garritan sounds and the ARIA Player in your music? What if you could control various parameters in ARIA, in real-time, using your hands on your tablet (instead of clicking with your mouse)? There are many options available on the market for MIDI controller applications for iPad/iPhone, Android, Chrome OS, and Mac/PC, and [more... ]

Introduction to Reverb in the ARIA Player

October 20, 2015 | Michelle Jones

As musicians, we hear the word “reverb” bounced around often. We clap in auditoriums and amphitheaters to test for the ideal acoustic performance environment, but what exactly are we listening for? Reverberation is the prolongation of sound, created by reflecting sound waves. In an electronic environment, we simulate how sounds reflect in an acoustical space [more... ]

Creating Realistic Performances for Sustaining Instruments

September 16, 2015 | Jon Cielinski

One of the primary challenges when using a virtual instrument library with a MIDI keyboard is trying to create realistic performances for sustaining instruments. Simply pressing a key harder to play a louder note works perfectly for a piano, but what about when recording a track for an instrument like violin or organ? This method [more... ]

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