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Using Garritan Libraries and Finale’s Human Playback in Logic Pro X

January 9, 2019 | Jon Burr

In a DAW, Human Playback equals Mix Automation Creating a compelling performance with MIDI data in a DAW depends on the manipulation of Continuous Controller Data (“CC”) and MIDI Key Switches (“KS”) for dynamics and articulation. In Finale, this data is created automatically from score markings when Human Playback is turned on. The conventional wisdom [more... ]

The Lowdown on Updated Installers and Downloads

December 13, 2018 | Jon Tschiggfrie

New Installers Earlier this year I reported that we were in the process of updating all Garritan installers, primarily to support current Macintosh operating systems. That work has been completed, for every library, for some time. Since then, however, we have updated all the installers again, this time to improve compatibility with Finale version 26, [more... ]

Cyber Monday: Free Garritan Library with Finale v26

November 26, 2018 | Garritan Official

Finale version 26 is here! Users and reviewers alike are praising how it automates music creation with articulation stacking, new chord libraries, and slurs that snap into place automatically. Now through the end of the week, you can get a free Garritan virtual instrument library when you purchase, trade up to, or upgrade to Finale [more... ]

July 4 Savings on Garritan

July 2, 2018 | Garritan Official

To help you celebrate your independence from the tyranny of the same old sounds, we’re offering Garritan virtual instrument libraries at 50% OFF! Here are seven ways to get more bang for your buck: Library Regular Price Sale price Harps $99.95 $50 Classic Pipe Organs $99.95 $75 Personal Orchestra 5 $149.95 $75 World $149.95 $75 [more... ]

Garritan Products and macOS High Sierra

October 2, 2017 | Garritan Official

Last week Apple released the new macOS, High Sierra (10.13). A few issues have popped up for Garritan products on computers running the new OS. Garritan Installer Issues in macOS High Sierra With the exception of Abbey Road Studios CFX Lite, the installers included with all current Garritan products can hang during install on [more... ]

Using Garritan Sounds in Ableton Live 9

September 29, 2017 | Nick Morris

If you own a Garritan sound library (including the one that comes with Finale), and are new to Ableton Live 9, this post is for you. We’ll share some tips to help you get started in Live with the ARIA Player you have, regardless of whether you own Live or are using the free trial. [more... ]

“Timbre” Feature in the Garritan CFX Lite and CFX Concert Grand

January 25, 2017 | Scott Yoho

Captured in historic Studio One at Abbey Road Studios, the CFX Lite is a robust subset of the full, glorious CFX Concert Grand piano (compare both products here). Upon its release, the CFX Lite had some additional features and benefits that were not included in the initial CFX Concert Grand release. (This has subsequently been [more... ]

Additional Strings in Garritan Personal Orchestra 5

October 25, 2016 | Peter Flom

As a string player I am most excited about the new strings in Garritan Personal Orchestra 5 (GPO 5). With multiple bowing samples for each instrument, a fluid live-friendly playback engine, and the choice between individual, chamber and section string sounds, GPO 5 has a lot to offer those of us who focus on strings. [more... ]

Introduction to Reverb in the ARIA Player

October 20, 2015 | Michelle Jones

As musicians, we hear the word “reverb” bounced around often. We clap in auditoriums and amphitheaters to test for the ideal acoustic performance environment, but what exactly are we listening for? Reverberation is the prolongation of sound, created by reflecting sound waves. In an electronic environment, we simulate how sounds reflect in an acoustical space [more... ]

Abbey Road CFX Concert Grand Player Perspective

July 22, 2015 | Steven Ruud

In previous Garritan blog posts, Fred Flowerday talked about the Contemporary and Classic perspectives of the Abbey Road CFX Concert Grand. Today I’d like to share my experience with the Player Perspective, which really shouldn’t be overlooked: It’s my favorite when I want to practice or simply escape to my own Abbey Road Studio 1 [more... ]

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