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Celebrating 20 Years of Garritan Virtual Instrument Libraries

May 8, 2019 | Scott Yoho

This year marks the 20th anniversary of the release of the first Garritan virtual instrument library. While twenty years at any pursuit is a remarkable accomplishment, in the world of music software it represents several lifetimes. To commemorate this milestone I spoke to the company’s founder, Gary Garritan, about his roots, some highlights of the [more... ]

Using Garritan Libraries and Finale’s Human Playback in Logic Pro X

January 9, 2019 | Jon Burr

In a DAW, Human Playback equals Mix Automation Creating a compelling performance with MIDI data in a DAW depends on the manipulation of Continuous Controller Data (“CC”) and MIDI Key Switches (“KS”) for dynamics and articulation. In Finale, this data is created automatically from score markings when Human Playback is turned on. The conventional wisdom [more... ]

Combine GPO 5 with Reaper for Ultimate Flexibility

May 17, 2018 | Chad Johnson

It’s a brave new world in music production today. The tools available to the common musician, which would have been unimaginable a few decades ago, have leveled the playing field like never before. With a little knowledge and attention to detail, we can create stunningly life-like soundscapes that rival the pros in all aspects. And [more... ]

We’re Not Joking: Garritan Libraries Are on Sale

April 1, 2018 | Garritan Official

It’s no joke, Garritan libraries are on sale. Now through April 7th, most Garritan sound libraries are 50% off. Take advantage of our foolishness! Add new sounds to your studio at our lowest prices ever: Instant Orchestra $180 $90 Personal Orchestra $150 $75 Jazz + Big Band $150 $75 World Instruments $150 $75 Classic Pipe Organs [more... ]

A Beginner’s Guide to Using Garritan Libraries with Cubase

September 30, 2016 | Jon Cielinski

The world of digital audio workstations (DAWs) can be a bit intimidating for newcomers. With a seemingly infinite number to choose from, it can be difficult to even know where to start. Today I’ll share some tips to help you get started using a Garritan library with my favorite DAW, Cubase. There’s no shortage of [more... ]

Using Your Tablet to Control the ARIA Player

November 16, 2015 | Michelle Jones and Nick Morris

Do you use Garritan sounds and the ARIA Player in your music? What if you could control various parameters in ARIA, in real-time, using your hands on your tablet (instead of clicking with your mouse)? There are many options available on the market for MIDI controller applications for iPad/iPhone, Android, Chrome OS, and Mac/PC, and [more... ]

Introduction to Reverb in the ARIA Player

October 20, 2015 | Michelle Jones

As musicians, we hear the word “reverb” bounced around often. We clap in auditoriums and amphitheaters to test for the ideal acoustic performance environment, but what exactly are we listening for? Reverberation is the prolongation of sound, created by reflecting sound waves. In an electronic environment, we simulate how sounds reflect in an acoustical space [more... ]

Creating Realistic Performances for Sustaining Instruments

September 16, 2015 | Jon Cielinski

One of the primary challenges when using a virtual instrument library with a MIDI keyboard is trying to create realistic performances for sustaining instruments. Simply pressing a key harder to play a louder note works perfectly for a piano, but what about when recording a track for an instrument like violin or organ? This method [more... ]

Abbey Road CFX Concert Grand Player Perspective

July 22, 2015 | Steven Ruud

In previous Garritan blog posts, Fred Flowerday talked about the Contemporary and Classic perspectives of the Abbey Road CFX Concert Grand. Today I’d like to share my experience with the Player Perspective, which really shouldn’t be overlooked: It’s my favorite when I want to practice or simply escape to my own Abbey Road Studio 1 [more... ]

CFX Concert Grand microphone perspectives: Classic

July 24, 2014 | Fred Flowerday

One of the goals in developing the CFX Concert Grand was to create not only a beautiful sounding virtual piano, but also to produce a functional and flexible musical tool to suit as many settings and styles as possible. To this end, we tapped into the engineering talent of the Abbey Road Studios team to [more... ]

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