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Using Garritan Libraries and Finale’s Human Playback in Logic Pro X

January 9, 2019 | Jon Burr

In a DAW, Human Playback equals Mix Automation Creating a compelling performance with MIDI data in a DAW depends on the manipulation of Continuous Controller Data (“CC”) and MIDI Key Switches (“KS”) for dynamics and articulation. In Finale, this data is created automatically from score markings when Human Playback is turned on. The conventional wisdom [more... ]

Combine GPO 5 with Reaper for Ultimate Flexibility

May 17, 2018 | Chad Johnson

It’s a brave new world in music production today. The tools available to the common musician, which would have been unimaginable a few decades ago, have leveled the playing field like never before. With a little knowledge and attention to detail, we can create stunningly life-like soundscapes that rival the pros in all aspects. And [more... ]

Garritan Products and macOS High Sierra

October 2, 2017 | Garritan Official

Last week Apple released the new macOS, High Sierra (10.13). A few issues have popped up for Garritan products on computers running the new OS. Garritan Installer Issues in macOS High Sierra With the exception of Abbey Road Studios CFX Lite, the installers included with all current Garritan products can hang during install on [more... ]

Using Garritan Sounds in Ableton Live 9

September 29, 2017 | Nick Morris

If you own a Garritan sound library (including the one that comes with Finale), and are new to Ableton Live 9, this post is for you. We’ll share some tips to help you get started in Live with the ARIA Player you have, regardless of whether you own Live or are using the free trial. [more... ]

“Timbre” Feature in the Garritan CFX Lite and CFX Concert Grand

January 25, 2017 | Scott Yoho

Captured in historic Studio One at Abbey Road Studios, the CFX Lite is a robust subset of the full, glorious CFX Concert Grand piano (compare both products here). Upon its release, the CFX Lite had some additional features and benefits that were not included in the initial CFX Concert Grand release. (This has subsequently been [more... ]

Introducing the Garritan Abbey Road Studios CFX Lite

November 9, 2016 | Garritan Official

The CFX Concert Grand In 2014 we released the most detailed and advanced Garritan project ever: the CFX Concert Grand. It began with Yamaha’s remarkable nine foot concert piano, the development of which took more than 18 years. We placed this no-holds-barred instrument in the most legendary recording space in the world: Studio One at [more... ]

Meet Garritan Director of Programming Chad Beckwith

May 6, 2016 | Garritan Official

Where do Garritan sound libraries come from? Does Gary Garritan create them all by himself in a secret laboratory hidden somewhere in the Pacific Northwest? Is the Yeti involved? No one has ever known – until now. Starting today we’re going public and introducing the people behind the virtual instruments, starting with Chad Beckwith (pictured [more... ]

Introducing Personal Orchestra 5

February 29, 2016 | Garritan Official

Today we launched Personal Orchestra 5, a major update to the acclaimed sound library. Garritan Personal Orchestra (GPO) democratized the creation of orchestral music by making a comprehensive collection of virtual orchestral instruments both accessible and affordable. GPO 5 continues in this tradition by vastly expanding the number of included instruments (it’s 5 times bigger) [more... ]

Bicycles and Music

June 8, 2015 | Scott Yoho

June is bike month in Colorado. While MakeMusic will participate in Bike to Work Day on June 24, bikes are a significant part of our world every other day, too. Moderate weather, ample bike paths, and encouragement from our upstairs neighbors at TrainingPeaks all contribute to making our office bike-friendly all year round. That said, when [more... ]

Alexandre Desplat on his Imitation Game Score

February 26, 2015 | Scott Yoho

Are you done thinking about the Academy Awards until next year? I thought I was until a coworker shared this fantastic podcast, from Song Exploder, featuring Alexandre Desplat. In it the composer describes the orchestration of the main theme from his Oscar and Golden Globe-nominated “The Imitation Game” score, both in terms of orchestration as [more... ]

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