71 search results for: "OP"

Meet Garritan Director of Programming Chad Beckwith

Where do Garritan sound libraries come from? Does Gary Garritan create them all by himself in a secret laboratory hidden somewhere in the Pacific Northwest? Is the Yeti involved? No one has ever known – until now. Starting today we’re going public and introducing the people behind the virtual instruments, starting with Chad Beckwith (pictured [more... ]

Garritan Personal Orchestra 5 Made Even Better

In just the few weeks since Garritan Personal Orchestra 5 was released, we’re received some incredible feedback on the new library, and have seen glowing video reviews from Todd Urban, Tony Cliff, and Time+Space, the latter having also interviewed Garritan founder Gary Garritan about the new virtual instrument library. You’d think the Garritan development team would all be [more... ]

Garritan Personal Orchestra 5 Coming Soon

At the 2016 NAMM show, we announced that Garritan Personal Orchestra 5 (GPO 5) would be coming soon, and simultaneously placed a “Coming in February 2016” message at garritan.com. We’ve been delighted with the volume of interest (and questions) this advance information has produced. While we will release GPO 5 before the end of February, we [more... ]

Using Your Tablet to Control the ARIA Player

Do you use Garritan sounds and the ARIA Player in your music? What if you could control various parameters in ARIA, in real-time, using your hands on your tablet (instead of clicking with your mouse)?  There are many options available on the market for MIDI controller applications for iPad/iPhone, Android, Chrome OS, and Mac/PC, and [more... ]

Introduction to Reverb in the ARIA Player

As musicians, we hear the word “reverb” bounced around often. We clap in auditoriums and amphitheaters to test for the ideal acoustic performance environment, but what exactly are we listening for? Reverberation is the prolongation of sound, created by reflecting sound waves. In an electronic environment, we simulate how sounds reflect in an acoustical space [more... ]

Creating Realistic Performances for Sustaining Instruments

One of the primary challenges when using a virtual instrument library with a MIDI keyboard is trying to create realistic performances for sustaining instruments. Simply pressing a key harder to play a louder note works perfectly for a piano, but what about when recording a track for an instrument like violin or organ? This method [more... ]

Abbey Road CFX Concert Grand Player Perspective

In previous Garritan blog posts, Fred Flowerday talked about the Contemporary and Classic perspectives of the Abbey Road CFX Concert Grand. Today I’d like to share my experience with the Player Perspective, which really shouldn’t be overlooked: It’s my favorite when I want to practice or simply escape to my own Abbey Road Studio 1 [more... ]

Bicycles and Music

June is bike month in Colorado. While MakeMusic will participate in Bike to Work Day on June 24, bikes are a significant part of our world every other day, too. Moderate weather, ample bike paths, and encouragement from our upstairs neighbors at TrainingPeaks all contribute to making our office bike-friendly all year round. That said, when [more... ]

Exploring Velocity Curves in the CFX Concert Grand

The Garritan Abbey Road CFX Concert Grand has been getting some wonderful reviews and now has a list price of $199.95. As a result, we’re hearing from more and more people who are using the virtual piano to great effect, and as a result we plan to offer some tips on using the CFX in upcoming [more... ]

Alexandre Desplat on his Imitation Game Score

Are you done thinking about the Academy Awards until next year? I thought I was until a coworker shared this fantastic podcast, from Song Exploder, featuring Alexandre Desplat. In it the composer describes the orchestration of the main theme from his Oscar and Golden Globe-nominated “The Imitation Game” score, both in terms of orchestration as [more... ]

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