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A Beginner’s Guide to Using Garritan Libraries with Cubase

September 30, 2016 | Jon Cielinski

The world of digital audio workstations (DAWs) can be a bit intimidating for newcomers. With a seemingly infinite number to choose from, it can be difficult to even know where to start. Today I’ll share some tips to help you get started using a Garritan library with my favorite DAW, Cubase. There’s no shortage of [more... ]

Celebrating 20 Years of Garritan Virtual Instrument Libraries

May 8, 2019 | Scott Yoho

This year marks the 20th anniversary of the release of the first Garritan virtual instrument library. While twenty years at any pursuit is a remarkable accomplishment, in the world of music software it represents several lifetimes. To commemorate this milestone I spoke to the company’s founder, Gary Garritan, about his roots, some highlights of the [more... ]

Garritan Spotlight on Composer, Conductor, and Orchestrator Francesco Marchetti

March 14, 2019 | Scott Yoho

Francesco Marchetti is a composer, conductor, and orchestrator who lives in Rome, Italy. In addition to being a long-time user of Garritan libraries, he has also had a long association with the company. Gary Garritan offers this description: Francesco is a conductor, arranger, and orchestrator par excellence; and one of Italy’s best composers. I met [more... ]

Using Garritan Libraries and Finale’s Human Playback in Logic Pro X

January 9, 2019 | Jon Burr

In a DAW, Human Playback equals Mix Automation Creating a compelling performance with MIDI data in a DAW depends on the manipulation of Continuous Controller Data (“CC”) and MIDI Key Switches (“KS”) for dynamics and articulation. In Finale, this data is created automatically from score markings when Human Playback is turned on. The conventional wisdom [more... ]

July 4 Savings on Garritan

July 2, 2018 | Garritan Official

To help you celebrate your independence from the tyranny of the same old sounds, we’re offering Garritan virtual instrument libraries at 50% OFF! Here are seven ways to get more bang for your buck: Library Regular Price Sale price Harps $99.95 $50 Classic Pipe Organs $99.95 $75 Personal Orchestra 5 $149.95 $75 World $149.95 $75 [more... ]

Compare Garritan Personal Orchestra with Garritan Instant Orchestra

June 7, 2018 | Garritan Official

Garritan offers two high-quality, affordable orchestral libraries: Garritan Personal Orchestra 5 and Garritan Instant Orchestra. If you’re wondering what’s the difference (or are trying to decide which one would be best for you), you’ve come to the right place. Garritan Personal Orchestra 5 Garritan Personal Orchestra 5 (GPO 5) gives you everything from pristine solo [more... ]

New Garritan Installers

April 10, 2018 | Garritan Official

We are currently in the process of updating the software used to install Garritan sample libraries. The updates don’t impact the sounds of the instruments in any way – they only improve the process of placing the software on your computer. The updates address two main issues: Mac compatibility and Finale integration. Mac Compatibility First [more... ]

Garritan Products and macOS High Sierra

October 2, 2017 | Garritan Official

Last week Apple released the new macOS, High Sierra (10.13). A few issues have popped up for Garritan products on computers running the new OS. Garritan Installer Issues in macOS High Sierra With the exception of Abbey Road Studios CFX Lite, the installers included with all current Garritan products can hang during install on [more... ]

Using Garritan Sounds in Ableton Live 9

September 29, 2017 | Nick Morris

If you own a Garritan sound library (including the one that comes with Finale), and are new to Ableton Live 9, this post is for you. We’ll share some tips to help you get started in Live with the ARIA Player you have, regardless of whether you own Live or are using the free trial. [more... ]

Garritan Update: August 2017

August 31, 2017 | Jon Tschiggfrie

When Gary Garritan released the original Personal Orchestra in 2004, he set a lofty goal: to “bring the power and majesty of the orchestra to every musician.” Over the ensuing 12 years, the delivery of further sample libraries – each an achievement in its own right – continually reinforced the Garritan name as synonymous with [more... ]

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